Showing posts with label sweet vermouth. Show all posts
Showing posts with label sweet vermouth. Show all posts

Sunday, May 17, 2015

MxMo: Manhattans

This month's Mixology Monday is being hosted by the overall MxMo maestro Fred Yarm over at Cocktail Virgin Slut.  It's times like these with his by-default torch-bearing that makes us appreciate him.  The theme this time around is Manhattans, or thereabouts.


This topic is bittersweet, because while the Manhattan may be the most perfect cocktail ever made, it's highly overdone, and even its myriad variations can begin to lose their edge.

Luckily, I have an old recipe that I (ostensibly) created on a whim a few years back and occasionally whip up when the mood strikes me.

The taste of Manhattans for me always invokes cold weather; on the other hand, the taste of tequila for me always invokes summer.  This drink tries to bridge the gap, perhaps perfect for those last days of summer when the first chilly breezes blow away what's left of the heat.

I went heavy on the Angostura to bring out a bit more of the black pepper from the anejo.

I suppose you could technically call this an equal-parts tequila Manhattan, heavy on the bitters.  Instead I'll call it...

Original Remix



Summerdusk

1.5 oz anejo tequila
1.5 oz sweet vermouth
6-8 dashes Angostura bitters

Stir with ice and strain into a cocktail glass.  No garnish.

Sunday, November 21, 2010

MxMo: Forgotten Cocktails

This month's Mixology Monday is hosted by Rock and Rye, and the theme is "Forgotten Cocktails". Contextually, Dennis of Rock And Rye is referring to cocktail recipes that may be of old age and, even better, underrated!


I have just the candidate, and as one of my favorite cocktails, I've been waiting to post it for quite a while.

The mythology behind the Oriental cocktail is that the recipe was loosed upon the world when an American engineer shared it with a Filipino doctor as repayment for his having saved his life from some tropical disease, as first mentioned in the Savoy. I personally find cocktail histories to be untrustworthy and dull, and so I'll stop here. Let's get on with the drinking.



Oriental

1.5 oz rye whiskey
.75 oz orange curacao*
.75 oz sweet vermouth**
.5 oz lime juice

Shake all ingredients with ice, strain into a cocktail glass. No garnish.


*Triple sec, if you must
**Try to use a sweet vermouth that isn't overpowering. I find that certain brands, such as Martini & Rossi, are veritable herbal assaults on the tongue, and just a bit too much. If your vermouth is too strong, it will upset the balance in the drink.


What separates this from many other obscure vintage cocktails is the flavor. Erik at the Underhill-Lounge remarks that it has a "very modern" taste, and he's right. As I've mentioned before, whiskey and lime is a fairly uncommon combination, which is what might lend to the drink's modern flavor. Furthermore, as Erik also points out, the amount of sweet and sour in the drink is high, such that the whiskey isn't exactly singing the lead.

It's the struggle between each ingredient in this recipe that makes it so interesting. Nothing is accenting and complementing the other here; instead, it's like a flavor free for all, where each is vying for your attention. It's an unusual dynamic for a cocktail, but it proves that it can be done, and in an entertaining way.



A variation on this recipe is the James Joyce which replaces the rye whiskey with Irish whiskey, constructed by the legendary Gary Regan.


James Joyce

1.5 oz Irish whiskey
.75 oz curacao/triple sec
.75 sweet vermouth
.5 oz lime juice

Shake all ingredients with ice, strain into a cocktail glass. Garnish with a maraschino cherry.

Chuck Taggart declares this drink to be superior and more complex than the Oriental, but I don't agree. (Probably because I used the balmy Jameson as my whiskey.) For me, this variation throws the Oriental's balance a little out of whack, as the subtler whiskey recedes to let the fruit and the sweetness take over. Regardless, it's still a fascinating drink, but in a different way.

Lastly, I have my own variation, which I daresay is my favorite version so far. One simply replaces the Oriental's rye with bourbon...



ORIGINAL REMIX


Sentimental

1.5 oz bourbon
.75 oz curacao
.75 oz sweet vermouth
.5 oz lime juice

Shake all ingredients with ice, strain into a cocktail glass. No garnish.

This drink tips the recipe's balance ever so slightly into the "sweet" direction, thanks to the bourbon, but I feel it's not too much. If you use something on the sweeter side, like Knobb Creek or Woodford Reserve, you'll find a deep spiciness appear in the drink causing you to praise whatever god you worship (or lack thereof).

Tuesday, July 20, 2010

Cocktails & Ego

It's not a foreign practice for cocktail fans to simply make up a drink as they go. Maybe we feel like having a whiskey drink and don't know which, or maybe we have a few bottles with just a bit left in them that we want to get rid of; it's quite common for us to just get a few ingredients, throw them together, and see what happens. Sometimes the results are quite nice, and recipes are honed to result in a great original drink.

Well, a few years ago this happened to me. I wanted a gin and vermouth drink and I only had sweet vermouth, so I cooked up a quick ditty. Gin, sweet vermouth for its sweetness and herbal character, a dash of Angostura bitters for spice, and I peeled a bit of orange over the top of the drink for a bright fruity punctuation. I did this in my preferred proportions for a Martini or Manhattan. I didn't have a name for it, but it ended up looking like this:

2 oz London dry gin
.5 oz sweet vermouth
1 dash aromatic bitters

Stir together with ice, strain into cocktail glass. Garnish with an orange twist.

It was delicious, and I found myself making these all the time in the following months and years. What seemed eerie to me, however, was that such a simple drink with such common ingredients with such a classic recipe structure hadn't already been invented. One could even simply call it a sweet Martini or a gin Manhattan, by a stretch. Well, I took to the Mixoloseum Bar chatroom one night to ask the experts if there were such a drink that existed.

The best answer I got is that it was a variation on the Martinez cocktail. The Martinez is much like the recipe above, except that it uses orange bitters instead of the aromatic, a lemon twist instead of orange, and sometimes adds a dash or two of Maraschino liqueur. (The Martinez is a very old drink, and recipes that you'll find vary widely)

But then I came across the Hearst cocktail, and old favorite of David Wondrich, one of the cocktail demi-gods that we should all worship and adore. The Hearst varies from my above recipe by adding just a bit more sweet vermouth as well as the addition of orange bitters along with the aromatic.

Then I found myself readdressing the online cocktail list of Robert Hess, the single figure who pulled my tastes away from tiki and toward classic cocktails. His page documents the vintage Martini recipe from around 1900, when dry vermouth was not so much en vogue. This recipe is essentially a Martinez without the Maraschino!

And then comes along Erik from the Underhill-Lounge who is known for mixing and reviewing every single cocktail in the great Savoy Cocktail Book in alphabetical order. He's already at the S's, and recently mixed the Sunshine cocktail, which differs from my above recipe only by the proportions of gin and vermouth! (I've been known to make fun of the Savoy as an entire book of Martini variations)

This is getting ridiculous, I said to myself. I looked harder and found that even more folks had the same bright idea that I did...

Cocktails similar to mine above, and how they differ (using a generalized recipe):

Martinez
More sweet vermouth, lemon twist instead of orange, additional orange bitters
vintage 1900 Martini
More sweet vermouth, lemon twist instead of orange, orange bitters instead of aromatic
classic Martini
More gin, sweet vermouth instead of dry, lemon twist and aromatic bitters instead of the orange counterparts
Hearst
More sweet vermouth, additional orange bitters
Sunshine
More sweet vermouth, less gin
Artillery
More sweet vermouth, less gin, lemon twist instead of orange, optional Boker's bitters
two variations of the Yale
Less gin, additional orange bitters, additional Maraschino
Rex
Less gin, more sweet vermouth, orange bitters instead of aromatic, and no twist
Barry
Less gin, more sweet vermouth, lemon twist instead of orange, additional creme de menthe

I could go on. If I considered all cocktails with this basic structure and additional dashes of other ingredients, the list would continue to grow. And aside from the addition of strong ingredients like aromatic bitters and maraschino, these drinks are mostly going to taste the same, if not very similar.

Why create a new name for each one, then? I dunno... ego? Probably not. As you can see, I, your lowly DJ, effectively created this recipe from common sense and minimal creativity all by myself, and so it goes to show how the same thing probably happened to bartenders and mixologists during the past 100 years.

Yet I have the power of the internet. I have databases at my disposal. I see the universality of the recipe I created. I know that others more creative, more talented, and smarter than I have already crafted such masterpieces, and so I shall let my modest persona lay prostrate as these mixologic giants tower above me. My voice need not join this already harmonious symphony. I sit only as a learned spectator, appreciating the craft as someone who occasionally and humbly partakes.

So what am I calling my drink? Nothing. It deserves no name, and certainly isn't qualified to be an "original remix". It's simply a variation on any of the recipes you see listed above. More important than any name is that you make it for yourself, or any others listed on this page, and enjoy.

Cheers.

Monday, December 14, 2009

Tiki Drink Contest Entry


I'm a sucker for a cocktail contest... and not usually because of prizes, but rather for the chance to see if any of my concoctions are decent beyond my own delusional tastes. Rick Stutz from Kaiser Penguin is holding a tiki drink contest, and I'm joining in the festivities.

No one needs to hear me blather on about my own accomplishments, so I'll keep it short. I wanted to make a drink with Cherry Heering, which I think is the superior cherry-based liqueur around. I've had tiki drinks that use Maraschino, and they're just not that great. I found myself wanting to put both Cherry Heering and sweet vermouth in this drink; I've been making many more classic cocktails recently than tiki (which do occasionally overlap, btw), so it's like I've been drawn to incorporate some classic ingredients into this drink like some traveller who's picked up a foreign accent after living in some far off land for a period of time. In this drink's preparation, I've shaken the actual drink with citrus peel, an idea I got from Ken at kenmoorhead.com. Whether or not this is a popular thing to do, I'm giving Ken the credit, because in my modest cocktail dealings, I've NEVER come across it, and it's really a great idea. I recommend shaking your cocktails with citrus peel/twists... just try shaking(I know, just this one time) your Martini with a few lemon twists... or my favorite... pomelo twists (if you can find them). Enjoy the results.


ORIGINAL REMIX





Flattering Wench

1.5 oz gold rum (something other than Jamaican)
.5 oz white rum
.5 oz falernum
.5 oz Cherry Heering
.5 oz red wine (drier is better than sweeter)
.5 oz sweet vermouth
.5 oz lemon juice
1 oz orange juice
1 oz pineapple juice
2 dashes Angostura bitters
3-4 grapefruit twists



Shake everything, including the twists, in a shaker with ice cubes. Pour all contents into a double Old Fashioned or Mai Tai glass. No additional garnish is needed.